Merry Christmas to you and yours, and may you have a wonderful holiday.
The more I look at that Wizard code I wrote the less appealing it is. Once again, it’s very one-offish and will require a fair bit of work to get up to snuff.
Once again, I will try my best to split my time evenly between engine construction and content creation. So here’s how I plan to spend the “engine construction” half of my time.
* Fix various bugs in the current platforming mechanics of Wizard. Right now you can fall right through platforms if you’re going fast enough, the character only has one hit detection point (middle of the feet) and for some reason climbing up ladders and ropes is slow. All this needs to be fixed, and there are lots of resources out there to help me, one of which is JNRDev.
* Hack the world editor for Inaria to become a level editor for Zeta. Get Zeta’s code loading those levels.
* Put in combat code so things can shoot at each other.
* Add a conversation system so we can do plot. (This will be stolen wholesale from Planitia.)
Seems doable in 20 hours.
On the content side:
* Make at least one 64×64 map. Since the tiles will be 8×8 in Zeta that means more of the map will be visible at once in Zeta, thus leading to the feeling of a smaller space. Thus, more than one map would be a good idea, but we must get one in; and it must have obstacles that require new powers to overcome (again, without this it’s not a Metroidvania).
* Create several enemies with different forms of attacks.
* Create the powerups that give Zeta new powers (I think the absolute minimum would be a double-jump to reach high areas and a super-shot to knock down locked doors or weak walls.)
* Create all the conversations to dole out the plot.
* Create at least one boss character.
* Find appropriate sound effects and music (Zeta will not be a silent game).
That also seems doable in 20 hours. I think it’s possible for this game to be a success and I can’t wait to see how it comes out 🙂
Galactic Civilizations II is currently $1.99 on Impulse. That’s a crazy price for a game that can provide so much entertainment. At this point, you’ve got absolutely no excuse.
Update: Well, it seems the sale expired right around the time I discovered it. Sorry about that. On the upside, you have an excuse again!
Guess what broke about a week ago. ‘Sright, my computer. All my attempts to resuscitate it have been met with failure. My attempts to commandeer my daughter’s computer this weekend were met with pleading and begging and tears (real, actual tears!)…so I decided not to do that.
Which left me with my laptop. Which, if you’ll recall is really just a netbook (a Gateway LT31, in fact). It’s got two gigs of RAM and a dedicated ATI Radeon X1270 graphics processor, unlike most netbooks which just use an Intel 950 Integrated Graphics Processor, which are cheap and work fine for web browsing but are nigh-unusable for games.
So I hooked my monitor, mouse, keyboard and speakers up to my laptop so I could at least compute in comfort.
Then I got out some games to see how well the rig would run them. The results:
Oblivion: Ran, but was unplayable even on the lowest graphical settings. This wasn’t a big surprise or disappointment. I knew I’d have to drop back a generation or two to get some results.
Morrowind: Ran fine; but I had to turn the graphics detail and the draw distance all the way down to get above 15 FPS outside. So it looks like Vvardenfell is constantly shrouded in fog. Interiors, on the other hand, run great – and dungeons are interiors so dungeon running is fine. Overall, playable.
World of Warcraft: Again, detail at the lowest settings. Large cities with lots of people like Dalaran are complete lag zones, but questing out in the wild greatly improves the frame rate. Overall, playable, if slightly annoying.
Deus Ex: The game defaults to 16-bit color mode, which I haven’t changed. Frame rate is good, if a little choppy in some places. Definitely playable.
Warcraft III: Perfectly playable on medium detail. I can even play on Battle.net and watch replays.
Starcraft: Perfectly playable. Again, playing on Battle.net and watching replays is no problem.
Half Life: Runs great, no changes needed.
System Shock 2: The big surprise of my experiments, this game runs perfectly without any need for tweaks (other than the minor ones necessary to get it running).
Fallout: Runs fine.
Tonight I’ll be trying Baldur’s Gate 2 and I might even be able to get away with Neverwinter Nights.
Oh, and Zeta development works fine, yadda yadda yadda.
Well, the comments were overwhelmingly in favor of my continuing Zeta. Now, I was going to make a Metroidvania either way, but if I could have found some art assets to help me I would have been willing to submit Zeta for the competition.
But sadly, there was a dearth of platforming shoot-em-up graphics in the competition.
You can see all the art assets submitted for the competition here. Warning, that link will take forever to load, not just because it’s every piece of art submitted, but because it’s every version of every piece of art submitted. Twice, for some reason. Also, believe me, some of the stuff on there is just plain weird.
Now, some of the artists just went off and did their own thing. Some of the stuff doesn’t look like anything more than a concept sketch – and since we’re not allowed to alter anything in the programming portion, they’re nigh-unusable.
But some of the artists had done this sort of thing before and provided very complete sets of graphics. For instance, if you’re looking to make a Roguelike, you’re covered. If you’re looking to make a top-down eight-way game (like the original Legend of Zelda), you’re covered. If you’re looking to make a Mario-style platformer where the character just runs and jumps (and perhaps has a short melee attack), you’re covered.
But if you’re looking for a run-jump-shoot platformer, there’s really only one sheet for that. And it’s a doozy…
Notice that the top and bottom halves of her body are split so that she can run in one direction while firing in any other direction. Also notice that she can…apparently turn into a red-eyed cyclops for some reason. Good, good stuff.
But it’s not exactly what I’m looking for. Zeta lives on a space station, and isn’t a cowgirl. Although a space cowgirl like a female Malcolm Reynolds would be awesome…
But no. I’m going to steal the hell out of that sprite sheet, but I’m going to turn her into Zeta, which means my game can’t go into the Assemblee.
Still, if you’re looking to make a game (or trying to come up with an idea for a game) definitely check that page out while it lasts.
I’d been hearing about this TIGSource competition for a while. It’s a two-part competition – in part one, artists and musicians made art and music without knowing exactly how they would be used in the final game. In part two, which started over the weekend, designers and programmers will use the assets created in part one – and nothing else – to make their games.
So now I’m torn. Should I continue on with Zeta, or put it aside in an attempt to win honor and fame for the name of ViridianGames?
Huh. That last part could be a rap lyric. If anyone ever wrote a rap song about me.
So what say you, my loyal readers?
So last night I started on Zeta. In about a half-hour I was able to get graphics integrated, create a scrolling tiled world, and get basic runing and jumping physics in, collecting objects and climbable ladders and ropes. I even posted a Youtube video of my progress!
Okay, okay, ya got me. I didn’t really do all that work in a half-hour last night. Instead, I’m going to cheat like The Cheat and start with an existing project I did a while back. I know that technically this means this won’t be a 40-hour game. Don’t care.
Just like with Inaria, I’m going to make a basic list of features that MUST be in the game, features that would be nice to have, and then features that would make me really happy if they make it in.
A main character that can run, jump and shoot.
A tile-based world for the character to traverse. This world can be made up of “zones” that can scroll in all directions. Zones can (and should) link to each other.
At least one enemy type to fight. (Just one would be boring, but we must have at least one).
At least one “powerup” that allows the player to access areas they couldn’t before (without this, the game isn’t a Metroidvania).
WOULD LIKE TO HAVE:
Multiple movement upgrades (slide, double-jump, glide, etc).
Multiple weapon upgrades.
Multiple enemy types, with some with weapons and some without, with unique looks and attacks.
An overall storyline.
A big boss to fight at the end.
A resolution to both the game and the story.
At least one “chiptune” music and sound effects.
WOULD LOVE TO HAVE:
Lots of dialog at various points in the game, detailing the story.
Lots of specialized animations for various things like the double-jump.
A way to lengthen gameplay by recycling or reinterpreting the level data, just like most Castlevanias do.
Multiple chiptunes for different parts of the game, including boss themes.
The game’s native resolution will be 320×240. It will play in a 320×240 window, a 640×480 window, or fullscreen at 640×480.
Again, my plan is to spend half of my time working on the engine and tools and the other half of my time working on the game’s content. I intend to steal almost all the graphics, but I’d really like to do the music myself, almost certainly using a tracker of some kind.
Seriously. I’ve been wondering what the hell I’m going to do with this blog for the last two months.
This blog was basically always about what I was working on and learning outside my job. Well, currently I have no side projects (I need a Mac to continue Inaria iPhone development, and I just can’t face the code mess that is Planitia any longer).
And I haven’t learned anything recently to merit a technical article.
And, sadly, I’m giving up on Name That Game. Stupid TinEye.com.
But then I had an idea, once that should have occurred to me before.
I was going to write an article called “Amuse-Bouche“, about the rather large number of short indie games that attempt to get a point across or create a mood in a small amount of gameplay. One of the defining aspects of the amuse-bouche is that it ends; there’s no infinite number of levels that provide no resolution. In fact, providing a resolution is a big part of what an amuse-bouche game is about.
An excellent (indeed, near-perfect) example of an amuse-bouche game is Small Worlds. If you’ve got ten minutes, play it right now.
So to sum up, an amuse-bouche game is one that a) can be played typically in an hour or less, b) has a definite ending, and c) deliberately evokes a reaction beyond “having fun gaming”.
And then I realized that this is exactly what I should be doing.
Planitia was too big. Star Revolution was too big. Inaria and Sandworm were pretty much just right.
And what was I going to do next? A 3D RPG. A Neverwinter Nights. All on my own. Yeah, right.
So…all hail the return of the forty-hour game! And it will be my personal goal to create at least one of these every month for the next year.
I already know what my first one is going to be. It’s going to be a short Metroidvania called “Zeta”, and it’ll be directly inspired by Iji (which isn’t exactly an amuse-bouche game but everybody should play it anyway).
You know, I didn’t really mean to turn this into a series. It’s just that right now there’s very little in my life except work and Weekend Gaming.
Except for some reason I spent four hours cooking on Thursday. I can’t quite remember why.
First things first: Brutal Legend.
Brutal Legend basically epitomizes “flawed gem”. There’s a lot of it that’s just damn fun, and tons of excellent music in it, and a world that you just stare at in disbelief.
On the other hand, the main campaign of the game consists of a gameplay component that is initially very confusing and gives you little feedback on whether you are doing well or poorly.
On the other other hand, it’s got tons of hilarious dialog, an extremely well-told story with tons of that is simultaneously complete and has tons of sequel hooks, and all of the voice acting is top-notch, even though half the voices in the game are done by people with little voice acting experience.
On the other other other hand, lots of people will hit the middle of the game, come up against the limit of their console-based RTS skills, and never get to see half of that awesomeness.
On the other other other other hand, the people who do back up, read the instructions and figure out how to effectively fight stage battles will be thoroughly rewarded.
Personally I thoroughly enjoyed it (you know, once I figured out the stage battles) and I thought the ending was awesome.
Megan beat it on Brutal difficulty. She is hardcore. I’m pretty much in awe.
Next up: Metal Gear Solid 4.
Basically this is what I popped in when I was done with Brutal Legend. I wasn’t expecting that much, since it is the sequel to the absolutely abysmal Metal Gear Solid 2. I’d also heard things about long install times and limited gameplay.
First off, there are five acts in the game and there is an install period of 2-3 minutes at the beginning of each act. Since each act will take you at least two hours to play (and more likely 3-5) I think the people who complained about the install times were blowing them out of proportion.
(Okay, I’ll be honest. I think the people who complained about the install times are spoiled brats who never waited ten minutes for a Commodore 64 game to load just so they could play a Galaxian clone. I think they should grow the eff up.)
Limited gameplay. This game follows in Metal Gear Solid 2’s tradition of the game becoming less and less interactive as the game progresses. You will have a couple chapters of large areas to explore with lots of people to sneak past (or shoot, but we’ll get to that in a minute). Then as the game nears its resolution the cutscenes will get longer as the interactive parts get shorter. This did not bother me for two reasons.
First, I’ve played previous MGS games and I know that the storytelling is a big part. I know there will be occasions where I’ll just be sitting there holding the controller watching stuff happen on the screen. I’ve always been okay with this, because the stuff happening on the screen is almost always entertaining. And in MGS4, what’s happening on the screen is pretty much always awesome. I was blown away multiple times by not only how well-produced the cutscenes were, but the plot twists they presented. And all of the cutscenes (barring some absolutely bizarre live-action video at the beginning of each game) are all done in-engine.
Second, while your chances to interact become less numerous, they become more meaningful. I don’t want to spoil, but the later game sequences deviate greatly from the normal MGS gameplay and it’s okay because they are awesome. There’s none of this “run around as a naked man from one cutscene to the next” crap that was in MGS2.
Another big change to the gameplay is that shooting your way out of bad situation is now more viable than it was in the past. Previously getting caught in MGS was a Bad Thing (not as bad as getting caught in the Thief games, but still bad). Now it’s possible to just kill your way through an area if you so desire – and you’ll have dozens of realistically reproduced weapons to allow you to do just that.
If this bugs you, think about it – you’re not covertly infiltrating enemy bases any more. You’re in the middle of a war zone – what’s a few more dead bodies? If you want to sneak and conserve your resources, that’s fine. But if you gotten frustrated playing past games and wanted to just shoot everybody, that is now also fine.
(My favorite weapon? The P90. Good stopping power, fifty rounds in a mag, can be fitted with a suppressor and you can still use CQC while you hold it. God, I love that gun. If I could actually buy a submachine gun out here in Real Life, that’s the one I’d get.)
Downsides? Well…I think the game might have been a little too aggressive at the end. Remember the end of Return of the King? Yeah, it’s like that, only with Metal Gear Solid characters. The fate of every major character of the entire series is resolved, and all plot strings are fairly ruthlessly tied up.
Overall I think Kojima made up for MGS2 with 3 and 4 (and indeed, 4 explains a lot of the stuff that just made no sense in 2). It’s a worthy ending to the current series of games and I thoroughly enjoyed it.
Finally, if you’re longtime readers of this blog, you know that occasionally my kids will find a game (usually something downloadable) that they will go absolutely nuts over and force me to buy for them. Previously it was The Maw. Before that it was Braid.
Now it’s Fat Princess. Both my daughters absolutely love this game, which, oddly enough, is another console-based RTS-ish…thingy. While I initially wouldn’t let Jewel play it because of the blood (which reminded me of Castle Crashers), it turns out you can turn that off, at which point defeated enemies fall down and pop into a puff of confetti. (I wish you could do that in Castle Crashers.)
Plus on the easiest level, Jewel, a four-year-old, can actually win games. At least against the computer.
I sense a potential birthday present.